Monday, 25 June 2007
Inflation - The Core Issue
Sunday, 17 June 2007
Will the Indian Media and Entertainment Industry finally come of age?
The Indian entertainment industry is on the threshold of emerging as a large market globally. Future growth of the industry is expected to be led by rising spends on entertainment by a growing Indian middle class, regulatory initiatives, increased corporate investments and the industry's dynamic initiatives to make strategic structural corrections to grow. In addition to the Indian middle class’ enhanced spends projected towards entertainment, the rising global interest in Indian content is expected to fuel growth in this industry.
The spend on entertainment in India is significantly lower than most advanced countries, yet the growing middle class exhibits a greater propensity to spend on entertainment, when we consider the entertainment spend as a percentage of per capita spend. As the Indian economy grows, the rest of the population is moving towards a higher standard of living. It is this growing consuming class with the propensity to spend that will drive the growth of the Indian entertainment industry.
The entertainment industry in
Over the last few years, there have been discussions on the Indian entertainment industry being on the verge of take-off, powered by new delivery platforms and technological breakthroughs, increasing content variety and favourable regulatory initiatives. This is expected to transform the entertainment landscape, with more players entering and traditional players being forced to adapt or perish. One can already witness changes that have the potential to alter the industry structure.
Increasing penetration of new delivery platforms is one of the key drivers of the media and entertainment industry today, that has the potential to change the way people receive content. These platforms, resulting from fundamental technological breakthroughs, are likely to see most of the action in next few years. For example, the spread of inexpensive and stable storage media will also enable people to store content and view it at their convenience. Some other examples are:
- Introduction of DTH and IP-TV
- Digital distribution of films
- Immersive content media like IMAX theatres
- Coming of age of Satellite Radio and FM Radio
- Emergence of new technologies like podcasting, etc
Together, these are expected to change the viewing habits of people.
New forms of content will emerge to cater to select viewers, as the industry evolves. Content like community radio and local television, that were unviable earlier, will also emerge stronger through new delivery formats. Moreover, content innovation will be necessary to sustain the interest of the increasingly jaded urban population. A few instances of rising content diversity are:
- Newer programming categories like reality television,
- Crossover content in music and films,
- Niche programming on radio like sports and comedy,
- Newer genres like lifestyle television, religion channels, etc.
The regulatory framework for media is still evolving. Looking at the policies announced by TRAI, it seems that a liberal framework is likely to be developed in order to allow the industry to flourish. Alongside regulating broadcasting and distribution, it will be important to create stronger protection mechanisms for copyrights and royalties. If intellectual property is protected to a fair extent, the industry could capture far greater value, giving its growth rate a significant boost.
A few examples of such regulatory actions are:
- An implementable regulatory framework for introducing addressability of cable television
- Policy framework for DTH, satellite radio and community radio
- Migration to a revenue sharing regime in FM radio
- Superior copyright protection for films, music and home video, etc
The entertainment industry is thriving on the current economic upswing and is currently estimated at INR 222 billion. Due to its sheer size, television has been the main driver for the industry's growth, contributing 62 percent of the overall industry's growth. Films contributed another 27 percent, while other segments like music, radio, live entertainment and interactive gaming constitute the balance 11 percent.
Propelled by innovation across its value chain and a series of enabling regulatory actions, the entertainment industry is expected to grow annually at almost 18 percent to reach around INR 588 billion by 2010. However, even with such growth, it could be just scratching the surface of the Indian market's true potential. Reaching this targeted growth rate will not be easy for the sector. Television sector has witnessed a significant bit of transparency, process orientation and discipline, except for the last-mile which is completely fragmented. The film sector, on the other hand, still remains relatively opaque and persona-driven. Over the past few years, the film industry has made some progress in getting institutional and corporatised funding. However, the progress on this front has notbeen as dramatic as had been expected when the institutional funding norms for films were relaxed a few years ago. Even though different sources unanimously agree that the entertainment industry is a sunrise sector, it has seen no major fund-raising efforts, apart from television content and broadcasting where the impact of professionalism and organised financing is evident.
Over the past decade,
middle class allocates a higher percentage of its monthly expenditure on entertainment. The increasing consumerism of middle-class
Tuesday, 12 June 2007
Rip van Winkle's Guide to Indian Aviation
So what exactly is happening in the Indian aviation sector?
For many years the Indian aviation market had been grossly underserved with only 0.01% of the total population using air transport. But in the past few years, a rash of new low cost carriers has been tapping into the growing passenger traffic. We have seen the newspapers replete with ads trumpeting air tickets for less than a hundred bucks. ‘Visionaries’ who wanted to make every Indian fly expected that the railway ac passenger would gravitate to the skies if the costs of flying were lower. Thus was born the low cost model – a no frills airline can substantially cut costs by operational efficiencies like a quicker turnaround time which enables them to fly longer hours, all economy seating configuration which means more seats per aircraft, no free catering etc.
While axing the embellishments off full service carriers and creating a new low cost carrier seems to be a sane idea the numbers definitely narrate a different story. Reason – the aviation sector has been plagued by stiff competition, resulting in ridiculously low pricing and airline companies emasculating each other.
One of the key parameters in analyzing the state of any airline is the cost and revenue per available seat kilometer (ASKM), which is the total seats available multiplied by the number of kilometers flown by the airline in any given period of time. Another metric is the seat factor, which is the number of seats for which tickets were sold divided by the total number of available seats expressed as a percentage.
An analysis reveals some intriguing facts. Firstly every airline manages only a seat factor of 70 – 80%, which means that unbridled expansion has led to overcapacity and tickets which were not sold translate directly into losses. Secondly, the revenue generated per ASKM is much lower than the cost per ASKM, which means every ticket is sold at a loss. For example the cost per ASKM of Air- Deccan is 46% more than the revenue generated, i.e. they lose 146% of what they make. This means that while the ticket costs are lower, the cost incurred by the airline is not really low and tickets are given away for a pittance only to avoid bigger losses and not to make profits owing to an intelligent business model.
The recent consolidation in the industry is considered by many as the only optimal solution to prevent the bloodbath. The consolidation culminated with the marriage of Air Deccan and Kingfisher with the latter picking up a twenty six percent stake of the former. The other merged entities are Air India–Indian Airlines, and Jet-Sahara. There are still some small players existing like Go-Air etc. but given the market dynamics and scale of the behemoths they will either be gobbled up by them or will have to merge amongst themselves. So in a matter of time we can see four or five large players in the industry.
When this in itself could end the price war this could also lead to cartelization of the industry. A cartel is when these airlines (except the national carrier of course) sit together and decide not to undercut each other’s fares. This type of a cartel among companies in a free market is illegal but nevertheless is bound to happen as they will do it covertly and not overtly. Probably one of the best known cartels in the world is OPEC. An organization consisting of the world's major oil-exporting nations, OPEC was founded in 1960 to coordinate the petroleum policies of its members and to provide member states with technical and economic aid. OPEC is a cartel that aims to manage the supply of oil in an effort to set the price of oil on the world market, in order to avoid fluctuations that might affect the economies of both producing and purchasing countries. Legal or not, we can clearly expect the consolidation to perk up the profitability of the airline companies.
In what can be seen as the beginning of the convalescence, airline stocks have started to improve slowly on the bourses. Spicejet has been the favorite and it is not quite surprising if we look into some data. The cost per ASKM of Spicejet is Rs. 2.60 and the revenue per ASKM is Rs. 2.04. These are by far the best figures in the industry in the worst of the times. What do these numbers mean? Given that Spicejet is a low cost carrier and it has the lowest cost per ASKM, it evidently is the only airline to execute the low cost model rigorously. The lower costs are obviously due to the operational efficiencies of Spicejet and if the health of the industry improves as a whole Spicejet will win in a big way.
As for Air Deccan which is suffering serious injuries it will take some more time (maybe around two years) recover. The high costs in spite of being a low cost carrier is a serious issue for Air-Deccan and it needs to change a lot if its profitability is soar ahead of the industry average.
Here is the key takeaway: After some teething problems Indian aviation has changed for the better. Sit up and take note.